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This is the story of Margaret (Adams) who is the artist responsible for the memorable paintings of the children with big eyes during the sixties and seventies. She married a salesman Walter Keane (Waltz) after walking out on her previous husband. (Which was a big thing for women of that time.) Keane told her that people don’t buy ‘lady art’, so it would be in both of their best financial interests if Margaret’s art was passed off as his. Over 10 years, that lie snowballed into something much larger, where Margaret was lying to her daughter, lying to herself and losing her identity in a dominated relationship. Continue reading